It was called to my attention that Lisztomania was not the first "Quintaphonic" film to be made but rather Tommy instead. It's absolutely correct, of course and for that glaring mistake I publicly apologize for leading my readers astray.
Lisztomania was the first film to be encoded with a Dolby Stereo optical soundtrack, though and this was where my confusion laid (never been a "techy" kind of guy, anyway). Still, at the end of the day all it matters is that Digital Classics treats the movie the way it should be treated: with the utmost respect for such a great example of the highest order possible of camp on celuloid. And you can quote me for that. British eccentricity at its sublime best.
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